The White Horse of Uffington, a spectacular chalk figure on an English hillside, challenges the very idea of “heritage” as an unbroken line of descent. Made sometime between 1380 and 550 BCE by people who cut meter-deep trenches and filled them with chalk, the horse pattern should have disappeared under encroaching vegetation long ago. But it has been the work of generations to “scour” it—weeding, cleaning, and adding more chalk. It’s this tradition of scouring which so intrigues scholar Philip Schwyzer.
“Like other monuments of similar antiquity, the Horse has been the site of shifting and contested meanings,” writes Schwyzer. “Yet the White Horse is unique among such artifacts in that it has never been neglected, but has always possessed a real and active significance for the inhabitants of the immediate vicinity.”
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